Yasunari Kawabata

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Yasunari Kawabata

Kawabata Yasunari
Born:	14 June 1899 Osaka, Japan
Died:	16 April 1972 Kamakura, Kanagawa, Japan
Occupation:	writer
Genres:	novels, short-stories

Yasunari Kawabata (川端 康成, Kawabata Yasunari^?); (14 June 1899 - 16 April 1972) was a Japanese short story writer and novelist whose spare, lyrical, subtly-shaded prose won him the Nobel Prize for Literature in 1968, the first Japanese to receive the award. His works, which have enjoyed broad and lasting appeal, are still widely read internationally.

Contents 1 Biographical details 2 Artistic career 3 Selected works 4 Reference 5 External links

[edit] Biographical details

Kawabata was born in Osaka and was orphaned when he was two, after which he lived with his grandparents. He had an older sister who was taken in by an aunt. Kawabata's grandmother died when he was seven (September 1906); his sister, whom he met only once after the death of their parents, when he was ten (July 1909); and his grandfather when he was fifteen (May 1914).

Having lost all close relatives, he moved in with his mother's family (the Kurodas). However, in January 1916, he moved into a boarding house near the junior high school (comparable to a modern high school) to which he had formerly commuted by train. After graduating from junior high school in March 1917, just before his 18th birthday, he moved to Tokyo, hoping to pass the exams of Dai-ichi Koto-gakko' (First Upper School), which was under the direction of Tokyo Imperial University. He succeeded in the exam the same year and entered the humanities faculty as an English major. In July 1920 Kawabata graduated from the high school and began at Tokyo Imperial University the same month.

Kawabata graduated in 1924, by which time he had already caught the attention of Kikuchi Kan and other noted writers and editors through his submissions to Kikuchi's literary magazine, the Bungei Shunju.

In addition to fiction writing, Kawabata also worked as a reporter, most notably for the Mainichi Shimbun. Although he refused to participate in the militaristic fervor that accompanied World War II, he also demonstrated little interest in postwar political reforms. Along with the death of all his family while he was young, Kawabata suggested that the War was one of the greatest influences on his work, stating he would be able to write only elegies in postwar Japan. Still, many commentators detect little thematic change between Kawabata's prewar and postwar writings.

Kawabata committed suicide in 1972 by gassing himself, though a number of close associates, including his widow, considered his death may have been accidental. Many theories have been advanced as to his reasons, among them poor health (the discovery that he had Parkinson's disease), a possible illicit love affair, or the shock caused by the suicide of his friend Yukio Mishima in 1970. However, unlike Mishima, Kawabata left no note, and since he had not discussed it significantly in his writings, his motives remain unclear.

[edit] Artistic career

While still a university student Kawabata re-established the Tokyo University literary magazine Shin-shichō ("New Tide of Thought"), which had been defunct for more than four years. There he published his first short story, "Shokonsai Ikkei" ("A scene from a Séance"). During university, he changed faculties to Japanese literature and wrote a graduation thesis entitled, "A short history of Japanese Novels". He graduated from university in March, 1924.

In October of 1924 Kawabata, Kataoka Teppei, Yokomitsu Riichi and a number of other young writers started a new literary journal Bungei Jidai ("The Artistic Age"). This journal was a reaction to the entrenched old school of Japanese literature, specifically the Japanese movement descended from Naturalism, while it also stood in opposition to the "workers'" or proletarian literature movement of the Socialist/ Communist schools. It was an "art for art's sake" movement, influenced by European Cubism, Expressionism, Dada and other modernist styles. The term Shinkankakuha, which Kawabata and Yokomitsu used to describe their philosophy, has often been mistakenly translated into English as "Neo-Impressionism". However, Shinkankakuha was not meant to be an updated or restored version of Impressionism; it focused on offering "new impressions", or, more accurately, "new sensations" or "new perceptions" in the writing of literature. (Okubo Takaki (2004), Kawabata Yasunari--Utsukushi Nihon no Watashi. Minerva Shobo)

Kawabata started to achieve recognition with a number of short stories shortly after he graduated, and received acclaim for "The Dancing Girl of Izu" in 1926, a story about a despondent student who, on a walking trip down Izu Peninsula, meets a young dancer, and returns to Tokyo in much improved spirits. This story, which explored the dawning eroticism of young love, was successful because of the dashes of melancholy and even bitterness offset what might have otherwise been overly sweet. Most of his subsequent works explored similar themes.

In the 1920, Kawabata was living in the plebian district of Asakusa, in downtown Tokyo. During this period, Kawabata experimented with different styles of writing. In Asakusa Kurenaidan (The Scarlet Gang of Asakusa), serialized from 1929-1930, he explores the lives of the demimonde and others on the fringe of society, in a style echoing that of late Edo period literature. On the other hand, his Suisho Genso (Crystalline Fantasy) is pure stream-of-consciousness writing.

Kawabata relocated from downtown Tokyo to Kamakura, Kanagawa prefecture in 1934, and although he initially played a very active role in the social life among the many other writers and literary people residing in that city during the war years and immediately thereafter, in his later years he became very reclusive.

One of his most famous novels was Snow Country, started in 1934 and first published in installments from 1935 through 1947. Snow Country is a stark tale of a love affair between a Tokyo dilettante and a provincial geisha, which takes place in a remote hot-spring town somewhere in the mountainous regions of northern Japan. It established Kawabata as one of Japan's foremost authors and became an instant classic, described by Edward G. Seidensticker as "perhaps Kawabata's masterpiece".

After the end of World War II, Kawabata's success continued with novels such as Thousand Cranes (a story of ill-fated love); The Sound of the Mountain; The House of the Sleeping Beauties; Beauty and Sadness; and The Old Capital .

The book which he himself considered his finest work, The Master of Go (1951) is a severe contrast with his other works. It is a semi-fictional recounting of a major Go match in 1938, on which Kawabata had actually reported for the Mainichi newspaper chain. It was the last game of the master Shūsai's career and he lost to his younger challenger, to die a little over a year later. Although the novel is moving on the surface as a retelling of a climactic struggle, some readers consider it a symbolic parallel to the defeat of Japan in World War II.

His two most important post-war works are Sembazuru (Thousand Cranes) from 1949-1951, and Yama no Oto (The Sound of the Mountain), 1949-1954. Sembazuru is centered on the tea ceremony and hopeless love. The protagonist is attracted to the mistress of his dead father, and after her death, to her daughter, who flees from him. The tea ceremony provides a beautiful background for ugly human affairs, but Kawabata’s intent is rather to explore feelings on death. The tea ceremony utensils are permanent and forever, whereas people are frail and fleeting. These themes of implicit incest, impossible love, impending death are again explored in Yama no oto, set in Kawabata’s home town of Kamakura. The protagonist, an aging man, has no affection for his children and has lost all passion for his wife. He is strongly attracted to someone forbidden – his daughter in law, and his thoughts for her are interspersed with memories of another forbidden love, for his dead sister-in-law. The story is left dangling at the end.

Kawabata left many of his stories unfinished, sometimes to the annoyance of readers and reviewers. This was done intentionally, as Kawabata felt that vignettes of incidents along the way were far more important than conclusions. He equated his form of writing with the traditional poetry of Japan, the haiku.

As the president of Japanese P.E.N. for many years after the war (1948-1965), Kawabata was a driving force behind the translation of Japanese literature into English and other Western languages.

In 1968 Kawabata became the first Japanese to receive the Nobel Prize for Literature. In awarding the prize, the Nobel Committee cited three of his novels, Snow Country, Thousand Cranes, and The Old Capital.

[edit] Selected works

Year	Japanese Title	English Title	English Translation
1926	伊豆の踊り子 Izu no Odoriko	The Dancing Girl of Izu	1955, 1957
1930	浅草紅団 Asakusa Kurenaidan	The Scarlet Gang of Asakusa	2005
1935-1937, 1947	雪国 Yukiguni	Snow Country	1957, 1996
1951-1954	名人 Meijin	The Master of Go	1972
1949-1952	千羽鶴 Senbazuru	Thousand Cranes
1949-1954	山の音 Yama no Oto	The Sound of the Mountain
1954	湖 Mizuumi	The Lake
1961	眠れる美女 Nemureru Bijo	The House of the Sleeping Beauties
1962	古都 Koto	The Old Capital	1987, 2006
1964	美しさと哀しみと Utsukushisa to Kanashimi to	Beauty and Sadness
	掌の小説 Tenohira no Shōsetsu	Palm-of-the-Hand Stories	1988, 2006

[edit] Reference

• Keene, Donald (1984). Dawn to the West: Japanese Literature of the Modern Era; Vol. 1: Fiction, "Kawabata Yasunari" pp. 786-845

[edit] External links

• Nobel Prize site
• Yasunari Kawabata (Spanish)
• Fan site
• Literary Figures of Kamakura